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Sound Waves in an Ideal Gas
Consider a uniform ideal gas of equilibrium mass density
and equilibrium pressure
. Let us
investigate the longitudinal oscillations of such a gas. Of course, these oscillations
are usually referred to as sound waves. Generally speaking, a sound wave
in an ideal gas
oscillates sufficiently rapidly that heat is unable to flow fast enough to smooth out any
temperature perturbations generated by the wave. Under these circumstances,
the gas obeys the adiabatic gas law,
 |
(315) |
where
is the pressure,
the volume, and
the ratio of specific
heats (i.e., the ratio of the gas's specific heat at constant pressure to its
specific heat at constant volume). This ratio is approximately
for ordinary air.
Consider a sound wave in a column of gas of cross-sectional area
. Let
measure distance along the column. Suppose that the wave generates an
-directed displacement of the column,
. Consider a small section of
the column lying between
and
. The change in volume
of the section is
.
Hence, the relative change in volume, which is assumed to be small, is
![\begin{displaymath}
\frac{\delta V}{V} = \frac{A\,[\psi(x+\delta x/2,t)-\psi(x-\delta x/2,t)]}{A\,\delta x}.
\end{displaymath}](img1086.png) |
(316) |
In the limit
, this becomes
 |
(317) |
The pressure perturbation
associated with the volume perturbation
follows
from (315), which yields
 |
(318) |
or
 |
(319) |
giving
 |
(320) |
where use has been made of (317).
Consider a section of the gas column lying between
and
. The mass of this section is
. The
-directed
force acting on its left boundary is
, whereas the
-directed force acting on its right boundary is
.
Finally, the average longitudinal (i.e.,
-directed) acceleration of the section is
.
Thus, the section's longitudinal equation of motion is written
![\begin{displaymath}
\rho\,A\,\delta x\,\frac{\partial^2\psi(x,t)}{\partial t^2} ...
...left[\delta p(x+\delta x/2,t)-\delta p(x-\delta x/2,t)\right].
\end{displaymath}](img1095.png) |
(321) |
In the limit
, this equation reduces to
 |
(322) |
Finally, (320) yields
 |
(323) |
where
is a constant with the dimensions of velocity, which
turns out to be the sound speed in the gas (see Section 7.1).
Figure 33:
First three normal modes of an organ pipe.
 |
As an example, suppose that a standing wave is excited in a uniform organ pipe of length
.
Let the closed end of the pipe lie at
, and the open end at
.
The standing wave satisfies the wave equation (323), where
represents the
speed of sound in air. The boundary conditions are that
--i.e., there is
zero longitudinal displacement of the air at the closed end of the pipe--and
--i.e., there is zero pressure perturbation at the open end of the pipe (since the small pressure perturbation in the pipe is not
intense enough to modify the pressure of the air external to the pipe).
Let us write the displacement pattern associated with the standing wave in the form
 |
(324) |
where
,
,
, and
are constants.
This expression automatically satisfies the boundary condition
.
The other boundary condition is satisfied provided
 |
(325) |
which yields
 |
(326) |
where the mode number
is a positive integer. Equations (323) and (324) yield the dispersion relation
 |
(327) |
Hence, the
th normal mode has a wavelength
 |
(328) |
and an oscillation frequency (in Hertz)
 |
(329) |
where
is the frequency of the fundamental harmonic (i.e., the normal
mode with the lowest oscillation frequency). Figure 33 shows the
characteristic displacement patterns (which are pictured as transverse displacements, for the sake
of clarity) and oscillation frequencies of the pipe's first
three normal modes (i.e.,
, and 3). It can be seen that the modes all
have a node at the closed end of the pipe, and an anti-node at the open end. The
fundamental harmonic has a wavelength which is four times the length of the pipe.
The first overtone harmonic has a wavelength which is
rds the length of the pipe, and a frequency which is three times that of the fundamental. Finally, the second overtone
has a wavelength which is
ths the length of the pipe, and a frequency
which is five times that of the fundamental. By contrast, the normal modes
of a guitar string have nodes at either end of the string. See Figure 23.
Thus, as is easily demonstrated, the fundamental harmonic has a wavelength which
is twice the length of the string. The first overtone harmonic has a wavelength which
is the length of the string, and a frequency which is twice that of the fundamental. Finally, the second overtone harmonic has a wavelength which is
rds the length of the
string, and a frequency which is three times that of the fundamental.
Next: Fourier Analysis
Up: Longitudinal Standing Waves
Previous: Sound Waves in an
Richard Fitzpatrick
2010-10-11